David 'Ram Jam' Rodigan played “New Maydów” in his radio show! BBC 1Xtra
It's an honor for us!
“Oh, grey-feathered cuckooling” is available on all the streaming platforms now!
Enjoy!
She'll be there with a bag full of fresh records, hot off the press, as Warsaw Village Band’s & BASSalyki new album is set to release this October! \ \ Come by and say hello!\ \ Big thanks to Instytut Adama Mickiewicza for making this possible.\ \ Drop us a message and see you in Manchester!
All you have to do when finalizing your purchase is enter in the space for the promo code the answer to the question: how old is the Band? This is the discount (calculated in %) you will get on the purchase of our albums.
When you reach a certain age, you don't pay attention to the next birthday. Because you can get short of breath. So let's assume the safe hypothesis that time is relative, the past no longer exists, and the future does not yet exist. So everything is happening here and now. And that's how we hit 26 springs. But we are not resting on our laurels. On April 1, we play with the splendid Aukso orchestra in Tychy. We cordially invite you! And we promise to surprise you this year! Yours and our health! Let it happen! 🌻🌼🌞🌛🥂🎂🎊🎉\ KzWW 1997 photo by Tomasz Myśluk
“Traditional Polish songs, with their cutting vocals and meshed fiddles are the foundation of Warsaw Village Band’s repertory. But while their lineup is primarily acoustic – hand drums, hammered dilcimer, violins, cello – their sensibilities are modern. They hear dance -club drive and trancey echoes in the songs and they use recording studio techniques to heighten the central drones and eerie percussive sounds in their songs. Hints of reggae and guests like a scratching disc jockey should further infuriate purists”
The New York Times
“A very mature work with lots of energy. Another proof that we should have a closer look towards the Polish scene.”
Folkworld
With the women upfront and the guys in back, the group featured songs from their two recent albums, “People’s Spring” and “Uprooting.” Although the one-hour set was often dominated by noisy waves of rhythmic bowing from the two violin players, their string work frequently lacked melodic variety. But the other instruments, and especially the haunting female vocals, took up the slack.”
Washington Post
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